All Konstantin Somov Oil Paintings

Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists
 
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Konstantin Somov Sorcery (mk19) oil on canvas


Sorcery (mk19)
Sorcery (mk19)
Painting ID::  22358 		  1898 Gouache,Pencil and bronze with white hight-lights,49.5 x 34.1 cm Russian Museum,Saint Petersburg
  1898 Gouache,Pencil and bronze with white hight-lights,49.5 x 34.1 cm Russian Museum,Saint Petersburg

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Konstantin Somov Lady in Blue oil on canvas


Lady in Blue
Lady in Blue
Painting ID::  31224 		  mk72 1897-1900
  mk72 1897-1900

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Konstantin Somov Portrait of the artist anna ostroumova oil on canvas


Portrait of the artist anna ostroumova
Portrait of the artist anna ostroumova
Painting ID::  31260 		  mk72 1901
  mk72 1901

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Konstantin Somov Firework Display oil on canvas


Firework Display
Firework Display
Painting ID::  35129 		  mk100 1922 Oil on canvas 27x31.5cm
  mk100 1922 Oil on canvas 27x31.5cm

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Konstantin Somov Ploughland oil on canvas


Ploughland
Ploughland
Painting ID::  35150 		  mk100 1900 Oil on carboard 31x73cm
  mk100 1900 Oil on carboard 31x73cm

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     Konstantin Somov
     Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists

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